*Among the permanent and temporary pieces displayed at Aphro Living, these framed ones by the entrance has piqued my interest since I first visited the gallery and in subsequent visits. I do love me some spaceman art. Haha! If you do drop by, try the slide.
Timeless art always possesses the possibility of being timely.
Back in 2014, Emmanuel Santos exhibited some of these pieces in Immanent Geographies, a collection of both topographic and social landscapes by various Filipino artists. This featured familiar locations with stark twists.
Second Earth imagines a hyperreality where an astronaut finds himself in local terrain, however displaced and even out of place in these spaces—of all spaces—but the outer.
I’m partial to astronomical subjects 👽🚀🛰 and postmodern contexts 🤓 yet there’s a grimness to these that make me a little uncomfy but I can’t ignore it.
There’s also a bit of Foucault’s heterotopia in his work, as the astronaut searches for his place in a world that’s comprised of nature, the virtual, and what’s in between. This is relevant in our tech age that propels itself into a progress that could spell self annihilation with no signs of slowing down.
But what of children that wish to stay grounded and mounted to preserving life on the blue green ball of life? Earth born and earth bound dreamers 🌏🌍🌎