Houston we have a problem

*Among the permanent and temporary pieces displayed at Aphro Living, these framed ones by the entrance has piqued my interest since I first visited the gallery and in subsequent visits. I do love me some spaceman art. Haha! If you do drop by, try the slide.Β 

Timeless art always possesses the possibility of being timely.

Back in 2014, Emmanuel Santos exhibited some of these pieces in Immanent Geographies, a collection of both topographic and social landscapes by various Filipino artists. This featured familiar locations with stark twists.

Second Earth imagines a hyperreality where an astronaut finds himself in local terrain, however displaced and even out of place in these spacesβ€”of all spacesβ€”but the outer.

I’m partial to astronomical subjects πŸ‘½πŸš€πŸ›° and postmodern contexts πŸ€“ yet there’s a grimness to these that make me a little uncomfy but I can’t ignore it.

There’s also a bit of Foucault’s heterotopia in his work, as the astronaut searches for his place in a world that’s comprised of nature, the virtual, and what’s in between. This is relevant in our tech age that propels itself into a progress that could spell self annihilation with no signs of slowing down.

But what of children that wish to stay grounded and mounted to preserving life on the blue green ball of life? Earth born and earth bound dreamers 🌏🌍🌎

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Devotion at an arm’s lengthΒ 

*Don’t you just love following that obscure neon sign amidst unoccupied spaces in buildings for lease that lead to a staircase to an exhibit in progress

an edit I made from two other corners of the exhibit πŸ› 

This is supposed to be Polish artist Pawel Althamer‘s take on Quiapo’s diversity. But the historical district is also where thousands of entangled bodies pile on each other once a year during the Black Nazarene.

Apart from the religious undertones, it actually looks to me a lot like a gym on leg day, where people are enslaved to body goals. That is, if it was open to interpretation, the sort of environment I’m more aware of.

Cool thing is, visitors that drop by are welcomed to become part of the exhibit. Though it primarily represents disenfranchised members of community, now all walks of life can be unified in Nazareno: Quiapo Constellations. This is through casts of faces and limbs held together by old scraps of wood and metal from Las Casas Filipinas de Acuzar.


Featured image: a corner of Bellas Artes Outpost