Tie it together

Something’s gotta give, an impossible numerical value against a system I may not get around to complying with, or the culminating and most important work in my student life. I think I’ve chosen the latter, but it’s not to say that I’ve given up entirely on my clerical work. I’ve put off behaving as though the paper meant a lot to me, but it does.

Something’s gotta give, and I gotta give the best of what I have in spite of the late start and the temptation of tapping out and being contented with mediocrity. I have a chance to do something relevant, and perhaps surprise myself in the ways words, thoughts, theory, and an attempt, can tie itself together. How will I tie it all together. I want to be able to create something a sensible yet bold set of verses that I can be proud of.

thesisit

You can be the greatest
You can be the best
You can be the King Kong banging on your chest
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Devotion at an arm’s lengthΒ 

*Don’t you just love following that obscure neon sign amidst unoccupied spaces in buildings for lease that lead to a staircase to an exhibit in progress

an edit I made from two other corners of the exhibit πŸ› 

This is supposed to be Polish artist Pawel Althamer‘s take on Quiapo’s diversity. But the historical district is also where thousands of entangled bodies pile on each other once a year during the Black Nazarene.

Apart from the religious undertones, it actually looks to me a lot like a gym on leg day, where people are enslaved to body goals. That is, if it was open to interpretation, the sort of environment I’m more aware of.

Cool thing is, visitors that drop by are welcomed to become part of the exhibit. Though it primarily represents disenfranchised members of community, now all walks of life can be unified in Nazareno: Quiapo Constellations. This is through casts of faces and limbs held together by old scraps of wood and metal from Las Casas Filipinas de Acuzar.


Featured image: a corner of Bellas Artes Outpost